Licence

Use it in anything you make.

That is the whole licence. The rest of this page is the detail behind it, and there is only one rule at the end.

What you may do

Once you have bought the catalogue, every score in it is yours to use. Specifically:

As a ringtone, a text tone, an alarm, or a doorbell.
Under anything you make and publish — videos, posts, reels, streams, podcasts, slideshows, a wedding reel, a shop display.
On any platform, including ones that pay you. A monetised channel is fine.
For work you are paid for, including a client's project.
On as many of your own devices as you like, for as long as you like.

You do not need to ask, you do not need to credit anybody, and nothing expires. There is no claim coming later, because the music was ours to give.

The one rule

Do not pass on the files themselves.

Use a score in whatever you are making. Do not sell, share, upload or redistribute the audio file as a file — not in a sample pack, not in a tone library, not as a download on a site, not as a copy for a friend. The thing you bought is the right to use the music. It is not the right to become a second source of it.

That rule exists for one reason. Every score was written for this catalogue and exists nowhere else, and that is the only thing that keeps it worth owning.

Who this covers

One purchase covers you — one person, or one business if you bought it for a business. It is tied to your Apple Account, so it follows you to a new phone. If a company wants to put it on a team's devices, write to us and we will sort something out rather than invent a tier for it.

What we keep

We keep ownership of the music. You are getting a licence to use it, which is broad and permanent, not the copyright itself. We can keep selling it, and we will keep adding to it.

Remasters

If a score is ever re-recorded or remastered, you get the new version at no cost, under the same number, in the same place. A score never becomes a different piece of music — its number is permanent and is never given to anything else.

If something goes wrong

If anyone ever challenges your right to use a score you bought here, tell us and we will deal with it. That is what owning the catalogue outright lets us promise.

Draft — 27 October 2026

Not final. Before this is published:

Have this read by someone qualified. It is a public grant of rights over owned material and the wording should be checked, not assumed.
Add the legal entity that holds the copyright, and a governing jurisdiction.
Decide the Content ID question first. If this catalogue is ever registered with YouTube Content ID or any similar fingerprinting service, buyers acting entirely within this licence will start receiving claims on their own videos. Either stay out of those systems, or put a whitelist process in place before joining one.
Confirm the indemnity sentence under "If something goes wrong" is one you want to make. It is a real commitment, and it is also the strongest line on the page.